Work > Features

Barbie

  • Colorist: Yvan Lucas
  • Additional Colorist: Alan Gordon + Nick Metcalf
  • Finishing Editor: Pat Kelleher
  • Dailies: Tom Klane
  • Company 3, Producer: Michael Maida
  • Director: Greta Gerwig
  • Director of Photography: Rodrigo Prieto
  • Editor: Nick Huoy
  • Production Design: Sarah Greenwood
  • Video Embed Url: https://www.youtube.com/embed/pBk4NYhWNMM
Warner Bros.

The Flash

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Finishing Editor: Joe Ken
  • Dailies: Warner Bros
  • Company 3 Production: Erik Rogers + Zach Watkins
  • Director: Andy Muschietti
  • Director of Photography: Henry Braham
  • Editor: Jason Ballantine + Paul Machliss
  • Production Design: Paul D. Austerberry
  • Video Embed Url: https://player.vimeo.com/video/829972698?h=2704aa6cd8
Warner Bros.

Squaring The Circle

  • Colorist: Yoomin Lee
  • Company 3, Producer: Hannah Perkins
  • Director: Anton Corbijn
  • Director of Photography: Martijn van Broekhuizen
  • Editor: Andrew Hulme
The Story of Hipgnosis

The Color Purple

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Adam Nazarenko (Film), Adrian Delude (Trailer)
  • Finishing Editor: Joe Ken (Film), Joe Pestana (Trailer)
  • Dailies Colorist: Nicholas Winkleman
  • Company 3 Production: Dawn Landon (Film), Michael Bryant (Trailer)
  • Director: Blitz Bazawule
  • Director of Photography: Dan Laustsen
  • Editor: Jon Poll 
  • Production Design: Paul D. Austerberry 
  • Video Embed Url: https://www.youtube.com/embed/wPwzBUui1GA
Warner Bros.

Extraction 2

  • Colorist: Stephen Nakamura
  • Finishing Editor: Joe Ken
  • Company 3 Production: Carl Moore, Clay Woods
  • Director: Sam Hargrave
  • Director of Photography: Greg Baldi
  • Editor: Alex Rodriguez
  • Production Design: Philip Ivey
  • Video Embed Url: https://www.youtube.com/embed/Y274jZs5s7s
Netflix

POOR THINGS

  • Supervising Colorist: Greg Fisher 
  • Finishing Editor: Stuart London, Thomas Lambert
  • Company 3, Producer: Christopher Nundy, Laura Metcalfe 
  • Director: Yorgos Lanthimos 
  • Director of Photography: Robbie Ryan, BSC ISC 
  • Editor: Yorgos Mavropsaridis, ACE 
  • Production Design: James Price, Shona Heath 
  • Video Embed Url: https://www.youtube.com/embed/ZFu7ZH4y6J4
Searchlight Pictures

Flamin’ Hot

  • Colorist: Walter Volpatto
  • Finishing Editor: Chris Doerr
  • Dailies: Conrado Moreno
  • Company 3 Production: Loan Phan
  • Director: Eva Longoria
  • Director of Photography: Federico Cantini
  • Editor: Kayla Emter, Liza D. Espinas
  • Production Design: Cabot McMullen, Brandon Mendez
  • Video Embed Url: https://player.vimeo.com/video/827387025?h=45881b087c&badge=0&autopause=0&player_id=0&app_id=58479

Gran Turismo

  • Colorist: Stefan Sonnenfeld
  • Company 3, Producer: Dawn Landon
  • Director: Neill Blomkamp
  • Director of Photography: Jacques Jouffret
  • Production Design: Martin Whist
  • Video Embed Url: https://player.vimeo.com/video/827090555?h=248e8fe12a
Sony Pictures

The Hunger Games: The Ballad of Songbirds and Snakes

  • Colorist: Dave Hussey
  • Finishing Editor: John Diesso
  • Company 3, Producer: Erik Rogers, Taravat Yazdan Panah, Zach Watkins
  • Director: Francis Lawrence
  • Director of Photography: Jo Willems
  • Editor: Mark Yoshikawa
  • Production Design: Trish Summerville
Lionsgate

The Flash

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Finishing Editor: Joe Ken
  • Company 3 Production: Erik Rogers + Zach Watkins
  • Director: Andy Muschietti
  • Director of Photography: Henry Braham
  • Editor: Jason Ballantine + Paul Machliss
  • Production Design: Paul D. Austerberry
Warner Bros.

White Men Can’t Jump

  • Supervising Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Dailies: Tom Klane
  • Company 3 Production: Vanessa Galvez-Morez
  • Director: Calmatic
  • Director of Photography: Tommy Maddox-Upshaw
  • Editor: Jonathan Schwartz, ACE
20th Century Studios

The Starling Girl

  • Colorist: Sean Coleman
  • Company 3 Production: Carl Moore and James Levine
  • Director: Laurel Parmet
  • Director of Photography: Brian Lannin
  • Editor: Sam Levy
  • Production Design: Mollie Wartelle
Bleecker Street Media

The Mother

  • Colorist: Kath Raisch
  • Finishing Editor: Chris Doerr
  • Dailies: Jaan Spirka, Rich Flores
  • Company 3, Producer: Kelsea Williams
  • Director: Niki Caro
  • Director of Photography: Ben Seresin
  • Editor: David Coulson
  • Production Design: Jean-François Campeau
Netflix

Fool’s Paradise

  • Colorist: Bryan Smaller
  • Finishing Editor: Heydar Adel
  • Company 3, Producer: Carl Moore
  • Director: Charlie Day
  • Director of Photography: Nico Aguilar
  • Editor: Leslie Jones, Tim Roche
  • Production Design: Robb Wilson King
Roadside Attractions

Peter Pan & Wendy

  • Colorist: Stephen Nakamura
  • Finishing Editor: John Diesso
  • Dailies: Company 3, Vancouver
  • Company 3, Producer: Carl Moore
  • Director: David Lowery
  • Director of Photography: Bojan Bazelli, ASC
  • Editor: Lisa Zeno Churgin
  • Production Design: Jade Healy
Walt Disney Studios

Asteroid City

  • Colorist: Gareth Spensley
  • Additional Colorist: Gareth Thomas
  • Finishing Editor: Justin Eely
  • Dailies: Doychin Margoevski
  • Company 3, Producer: Joanna Burt, Hannah Perkins
  • Director: Wes Anderson
  • Director of Photography: Robert D. Yeoman
  • Editor: Barney Pilling
  • Production Design: Adam Stockhausen
Focus Features

Knights of the Zodiac

  • Colorist: Andrew Geary
  • Finishing Editor: Matthew Shuttleworth
  • Company 3, Producer: Andras Toth
  • Director: Tomasz Baginski
  • Director of Photography: Tomasz Naumiuk
  • Editor: Peter Pav
  • Production Design: Csaba Lodi
Sony Pictures

Dungeons & Dragons: Honor Among Thieves

  • Colorist: Stefan Sonnenfeld
  • Finishing Editor: Joe Ken
  • Company 3 Production: Laura Geucherian + Philip Marvin
  • Director: John Francis Daley + Jonathan Goldstein
  • Director of Photography: Barry Peterson
  • Editor: Dan Lebental
  • Production Design: Ray Chan
Paramount Pictures

Chupa

  • Colorist: Bryan Smaller
  • Finishing Editor: Pat Kelleher
  • Dailies: Gabbii McIntyre
  • Company 3 Production: Mike Maida + Laura Hickerson
  • Director: Jonás Cuarón
  • Director of Photography: Nico Aguilar
  • Editor: Dan Zimmerman
  • Production Design: Peter Wenham
Netflix

Carmen

  • Colorist: Yvan Lucas
  • Finishing Editor: Alan Gordon
  • Company 3, Producer: Tatianna Kroha
  • Director: Benjamin Millepied
  • Director of Photography: Jörg Widmer
  • Editor: Dany Cooper
  • Production Design: Steven Jones-Evans
Sony Pictures Classics

The Super Mario Bros. Movie

  • Colorist: Jason Hanel
  • Finishing Editor: Patrick Clancey
  • Company 3, Producer: Loan Phan
  • Director: Aaron Horvath + Michael Jelenic
  • Editor: Eric Osmond
Illumination / Universal Pictures

Teenage Mutant Ninja Turtles: Mutant Mayhem

  • Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Jeff Rowe + Kyler Spears
  • Production Design: Yashar Kassai
  • Stereo VFX: SDFX Studios
  • Stereographer: Jeremy Carroll
Nickelodeon / Paramount Pictures

Haunted Mansion

  • Colorist: Jill Bogdanowicz
  • Finishing Editor: Matthew Johnson
  • Dailies: Ryan Hymel, Gabriele McIntyre + Nicholas Winkelmann
  • Company 3 Production: Erik Rogers + Zach Watkins
  • Director: Justin Simien
  • Director of Photography: Jeffrey Waldron
  • Editor: Phillip J. Bartell
  • Production Design: Darren Gilford
Walt Disney Studios

Boston Strangler

  • Supervising Colorist: Stephen Nakamura
  • Colorist: Dustin Wadsworth
  • Finishing Editor: Gina Kalim
  • Dailies Colorist: Shane O'Connor
  • Company 3, Producer: Zac Gobetz
  • Director: Matt Ruskin
  • Director of Photography: Ben Kutchins
  • Editor: Anne McCabe
  • Production Design: John P. Goldsmith
20th Century Studios

Prom Pact

  • Colorist: Jimmy Hsu
  • Finishing Editor: Matthew Shuttleworth
  • Company 3, Producer: Melissa Lee
  • Director: Anya Adams
  • Director of Photography: Clark Mathis
  • Editor: Shannon Baker Davis
  • Production Design: Brian Kane
Disney Original Movie

Wildflower

  • Colorist: Tim Masick
  • Company 3, Producer: Kate Albers
  • Director: Matt Smukler
  • Director of Photography: Jeff Cutter 
  • Editor: JC Bond
  • Production Design: Jason Hougaard
Momentum Pictures

The Machine

  • Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Peter Atencio
  • Director of Photography: Eigil Bryld
  • Editor: Eleanor Infante
Sony Pictures

Past Lives

  • Colorist: Tom Poole
  • Company 3, Producer: Zac Gobetz
  • Director: Celine Song
  • Director of Photography: Shabier Kirchner
  • Editor: Keith Fraase
  • Production Design: Grace Yun
A24

About My Father

  • Supervising Colorist: Mitch Paulson
  • Colorist: Walter Volpatto
  • Finishing Editor: Chris Doerr
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Laura Terruso
  • Director of Photography: Rogier Stoffers
  • Editor: Scott D. Hanson
  • Production Design: Javiera Vargas
Lionsgate

Past Lives | A24

  • Colorist: Tom Poole
  • Finishing Editor: Josh Perault
  • Company 3, Producer: Zac Gobetz 
  • Director: Celine Song
  • Director of Photography: Shabier Kirchner
  • Editor: Keith Fraase
  • Production Design: Grace Yun
  • Video Embed Url: https://player.vimeo.com/video/830595373?h=5e9cf0eefc
A24

John Wick: Chapter 4

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Bryan Smaller + Parker Jarvie
  • Finishing Editor: Matthew W. Johnson + Chad Schermerhorn
  • Company 3, Producer: Laura Geucherian + Taravat Yazdan Panah (AP)
  • Director: Chad Stahelski
  • Director of Photography: Dan Laustsen
  • Editor: Nathan Orloff
Lionsgate

Kandahar

  • Colorist: Matt Osborne
  • Additional Colorist: Chris Francis
  • Finishing Editor: Stuart Nippard
  • Company 3 Production: Hannah Perkins
  • Director: Ric Roman Waugh
  • Director of Photography: MacGregor
  • Editor: Colby Parker Jr
  • Production Design: Vincent Reynaud
Open Road Films

Love Again

  • Colorist: Tim Stipan
  • Company 3 Production: Tatianna Kroha
  • Director: Jim Strouse
  • Director of Photography: Andrew Dunn
  • Editor: Jesse Gordon
Sony Pictures

Children of the Corn

  • Colorist: Siggy Ferstl
  • Finishing Editor: Paul Carlin
  • Company 3, Producer: Aaron Miller
  • Executive Producer: John Fragomeni
  • Director: Kurt Wimmer
  • Director of Photography: Andrew Rowlands
  • Editor: Merlin Eden, Banner Gwin + Tom Harrison-Read
RLJE Films

Guardians of the Galaxy Vol. 3

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko + Jared Pecht
  • Finishing Editor: Paul Carlin + Chad Schermerhorn
  • Company 3, Producer: Laura Holeman, Jessica Stone + Megan White
  • Director: James Gunn
  • Director of Photography: Henry Braham
  • Editor: Fred Raskin
  • VFX: Framestore
Marvel Studios

Fast X

  • Colorist: Andre Rivas
  • Finishing Editor: Patrick Clancy
  • Dailies Colorist: Rita Lamas
  • Company 3, Producer: Loan Phan
  • Director: Louis Leterrier
  • Director of Photography: Stephen F. Windon
  • Editor: Dylan Highsmith, Kelly Matsumoto, Laura Yanovich + Corbin Mehl
Universal Pictures

Big George Foreman

  • Colorist: Siggy Ferstl
  • Finishing Editor: Chad Schermerhorn
  • Dailies Colorist: Gabriele McIntyre
  • Company 3, Producer: Dawn Landon
  • Director: George Tillman Jr.
  • Director of Photography: John Matysiak
  • Editor: Alex Blatt, Craig Hayes
Sony Pictures

Murder Mystery 2

  • Colorist: Stephen Nakamura
  • Finishing Editor: Joe Ken + Jason Saulog
  • Dailies Colorist: Matt Wells
  • Company 3, Producer: Philip Marvin
  • Director: Jeremy Garelick
  • Director of Photography: Bojan Bazelli
  • Editor: Tom Costain
Netflix

We Have A Ghost

  • Colorist: Tom Reiser
  • Dailies Colorist: Ryan Hymel
  • Company 3, Producer: Loan Phan
  • Director: Christopher Landon
  • Director of Photography: Marc Spicer
  • Editor: Ben Baudhuin
Netflix

Shazam! Fury of the Gods

  • Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Dailies Colorist: Marc Lulkin
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: David F. Sandberg
  • Director of Photography: Gyula Pados
  • Editor: Michel Aller
Warner Bros.

Scream VI

  • Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Matt Bettinelli-Olpin + Tyler Gillett
  • Director of Photography: Brett Jutkiewicz
  • Editor: Jay Prychidny
Paramount Pictures

Somebody I Used To Know

  • Colorist: Sean Coleman
  • Finishing Editor: Jason Saulog
  • Director: Dave Franco
  • Director of Photography: Brian Lannin
  • Editor: Ernie Gilbert
Amazon Prime Video

Are You There God? It’s Me, Margaret.

  • Colorist: Skip Kimball
  • Finishing Editor: Craig Price
  • Company 3, Producer: Jared Arkulary
  • Director: Kelly Fremon Craig
  • Director of Photography: Tim Ives
  • Editor: Oona Flaherty, Nick Moore
Lionsgate

A Lot of Nothing

  • Colorist: Jill Bogdanowicz
  • Finishing Editor: Jason Saulog
  • Company 3, Producer: Dawn Landon
  • Director: Mo McRae
  • Director of Photography: John Rosario
  • Editor: Annie Eifrig
RLJE Films

Ant-Man and The Wasp: Quantumania

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht, Adam Nazarenko + Alan Gordon
  • Finishing Editor: Paul Carlin + John Diesso
  • Dailies Colorist: Evan Okada
  • Company 3, Producer: Laura Holeman
  • Director: Peyton Reed
  • Director of Photography: Bill Pope
  • Editor: Adam Gerstel + Laura Jennings
Marvel Studios

Spinning Gold

  • Colorist: Dave Muscat
  • Finishing Editor: Ian Passy
  • Company 3, Producer: Chris Dewolde
  • Director: Timothy Scott Bogart
  • Director of Photography: Byron Werner
  • Editor: Derek Ambrosi
  • Production Design: John El Manahi, Michele Laliberte
  • Video Embed Url: https://www.youtube.com/embed/son1-qzEvUM
Hero Entertainment

A Good Person

  • Colorist: Tim Stipan
  • Finishing Editor: Jason Saulog
  • Dailies Colorist: Company 3
  • Director: Zach Braff
  • Director of Photography: Mauro Fiore
  • Editor: Dan Schalk
United Artists Releasing

65

  • Colorist: Sean Coleman
  • Finishing Editor: Jason Saulog + Matthew Johnson
  • Dailies Colorist: Rich Flores
  • Company 3, Producer: Philip Marvin
  • Director: Scott Beck + Bryan Woods
  • Director of Photography: Salvatore Totino
  • Editor: Josh Schaeffer
Sony Pictures

The Whale

  • Colorist: Tim Stipan
  • Finishing Editor: Nicholas Figueroa
  • Dailies Colorist: Company 3 NY
  • Company 3, Producer: Zac Gobetz
  • Director: Darren Aronofsky
  • Director of Photography: Matthew Libatique
  • Editor: Andrew Weisblum
A24

Allelujah

  • Colorist: Gareth Spensley
  • Finishing Editor: Thomas Lambert
  • Company 3, Producer: Leigh Myers
  • Director: Richard Eyre
  • Director of Photography: Ben Smithard
  • Editor: John Wilson
Pathe

Champions

  • Colorist: Tony Dustin
  • Finishing Editor: Matthew Shuttleworth
  • Company 3, Producer: Addison Paul
  • Director: Bobby Farrelly
  • Director of Photography: C. Kim Miles
  • Editor: Julie Garcés
Focus Features

Transformers: Rise of the Beasts

  • Colorist: Stephen Nakamura
  • Finishing Editor: Matthew W. Johnson
  • Dailies Colorist: Yann Mongrain, Miranda Schmidt & Rich Flores
  • Company 3, Producer: Erik Rogers & Zach Watkins
  • Director: Steven Caple Jr.
  • Director of Photography: Enrique Chediak
  • Editor: William Goldenberg, Brett M. Reed & Joel Negron
Paramount Pictures

A Man Called Otto

  • Colorist: Sofie Borup
  • Finishing Editor: Stuart Nippard
  • Dailies Colorist: Company 3
  • Company 3, Producer: Hannah Perkins + Gemma Saunders
  • Director: Marc Forster
  • Director of Photography: Matthias Koenigswieser
  • Editor: Matt Chesse
Sony Pictures

80 For Brady

  • Colorist: Tony Dustin
  • Finishing Editor: Chris Doerr
  • Dailies Colorist: Jack Tashdjian
  • Company 3, Producer: Kelsea Williams
  • Director: Kyle Marvin
  • Director of Photography: John Toll
  • Editor: Colin Patton
Paramount Pictures

Something From Tiffany’s

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Parker Jarvie
  • Finishing Editor: John Diesso + Chad Schermerhorn
  • Dailies Colorist: Jack Tashdjian
  • Company 3, Producer: Jessica Stone
  • Director: Daryl Wein
  • Director of Photography: Bryce Fortner
  • Editor: Casey Brooks
Amazon Prime Video

Sr.

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Company 3, Producer: Dawn Landon
  • Director: Chris Smith
  • Director of Photography: Kevin Ford + Chris Smith
  • Editor: Kevin Ford, Amanda C. Griffin + Daniel Koehler
Netflix

Chevalier

  • Colorist: Yvan Lucas
  • Finishing Editor: Alan Gordon
  • Company 3, Producer: Loan Phan
  • Director: Stephen Williams
  • Director of Photography: Jess Hall
  • Editor: John Axelrad
  • Production Design: Karen Murphy
Searchlight Pictuures

The Noel Diary

  • Colorist: Siggy Ferstl
  • Finishing Editor: Jason Saulog
  • Company 3, Producer: Ray Horta
  • Director: Charles Shyyer
  • Director of Photography: Ashley Rowe
  • Editor: Ryan C. Fill + Davis Moritz
Netflix

Troll

  • Colorist: Jean-Clément Soret
  • Company 3, Producer: Ellora Soret
  • Director: Roar Uthaug
  • Director of Photography: Jallo Faber
  • Editor: Christoffer Heie + Jens Peder Hertzberg
Netflix

Stutz

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Jared Pecht
  • Finishing Editor: Paul Carlin
  • Company 3, Producer: Jessica Stone
  • Director: Jonah Hill
  • Director of Photography: Christopher Blauvelt
  • Editor: Nick Houy + Nicholas Ramirez
Netflix

Aftersun

  • Colorist: Kath Raisch
  • Finishing Editor: Julien Mathus
  • Company 3, Producer: Hannah Perkins
  • Director: Charlotte Wells
  • Director of Photography: Gregory Oke
  • Editor: Blair McClendon
A24

Slumberland

  • Colorist: Dave Hussey
  • Company 3, Producer: Erik Rogers + Ricardo Ramirez
  • Director: Francis Lawrence
  • Director of Photography: Jo Willems
  • Editor: Mark Yoshikawa
Netflix

Violent Night

  • Colorist: Dave Hussey
  • Additional Colorist: Matt Wells
  • Finishing Editor: Matthew Shuttleworth + Roger Wang
  • Dailies Colorist: Richard Cordes
  • Company 3, Producer: Andras Toth
  • Director: Tommy Wirkola
  • Director of Photography: Matthew Weston
  • Editor: James Page
Universal Pictures

Black Panther: Wakanda Forever

  • Colorist: Tom Poole
  • Additional Colorist: Adam Nazarenko + Jared Pecht + Alan Louis Gordon
  • Finishing Editor: Paul Scarlin + Chad Schermerhorn
  • Company 3, Producer: Laura Holeman + Megan White + Jessica Stone
  • Director: Ryan Coogler
  • Director of Photography: Autumn Durald Arkapaw
  • Editor: Michael Shawver + Kelly Dixon
Marvel Studios

Spoiler Alert

  • Colorist: Tim Stipan
  • Finishing Editor: Patrick Kelleher
  • Dailies Colorist: Alex Kaufman
  • Company 3, Producer: Kate Elias
  • Director: Michael Showalter
  • Director of Photography: Brian Burgoyne
  • Editor: Peter Teschner
Focus Features

TÁR

  • Colorist: Tim Masick
  • Director: Todd Field
  • Director of Photography: Florian Hoffmeister
  • Editor: Monika Willi
Focus Features

Whitney Houston: I Wanna Dance with Somebody

  • Colorist: Walter Volpatto
  • Finishing Editor: Chris Doerr
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Kasi Lemmons
  • Director of Photography: Barry Ackroyd
  • Editor: Daysha Broadway
Sony Pictures

Nanny

  • Colorist: Joseph Bicknell
  • Finishing Editor: Gina Kalim
  • Director: Nikyatu Jusu
  • Director of Photography: Rina Yang
  • Editor: Robert Mead
Amazon Prime Video

The School For Good and Evil

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: James Slattery
  • Finishing Editor: Thomas Lambert
  • Dailies Colorist: Company 3 London
  • Company 3, Producer: Leigh Myers + Gemma Saunders
  • Director: Paul Feig
  • Director of Photography: John Schwartzman
  • Editor: Brent White
  • VFX: Framestore
Netflix

Babylon

  • Colorist: Matt Wallach
  • Finishing Editor: Chris Doerr
  • Dailies Colorist: Jack Tashdjian
  • Company 3, Producer: Loan Phan
  • Director: Damien Chazelle
  • Director of Photography: Linus Sandgren
  • Editor: Tom Cross
Paramount Pictures

Disenchanted

  • Colorist: Siggy Ferstl
  • Finishing Editor: Joe Ken
  • Dailies Colorist: Gerard McCullagh
  • Company 3, Producer: Ray Horta
  • Director: Adam Shankman
  • Director of Photography: Simon Duggan
  • Editor: Emma Burford Hickox
Walt Disney Studios

Black Adam

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht
  • Finishing Editor: Paul Carlin
  • Dailies Colorist: Nicholas Winkelmann
  • Company 3, Producer: Laura Holeman
  • Director: Jaume Collet-Serra
  • Director of Photography: Lawrence Sher
  • Editor: John Lee
Warner Bros.

Lyle, Lyle, Crocodile

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko
  • Finishing Editor: Matthew Johnson
  • Dailies Colorist: Marc Lulkin
  • Director: Josh Gordon + Will Speck
  • Director of Photography: Javier Aguirresarobe
  • Editor: Richard Pearson
Sony Pictures

Luckiest Girl Alive

  • Colorist: Tim Masick
  • Director: Mike Barker
  • Director of Photography: Colin Watkinson
  • Editor: Nancy Richardson
Netflix

Living

  • Colorist: Joseph Bicknell
  • Director: Oliver Hermanus
  • Director of Photography: Jamie D. Ramsay
  • Editor: Chris Wyatt
Sony Pictures Classics

My Best Friend’s Exorcism

  • Colorist: Gareth Spensley
  • Finishing Editor: Chris Francis
  • Dailies Colorist: Diane LeDesma
  • Company 3, Producer: Michael Maida
  • Director: Damon Thomas
  • Director of Photography: Rob Givens
  • Editor: Brad Turner
Amazon Prime Video

Empire of Light

  • Colorist: James Slattery
  • Finishing Editor: Thomas Lambert
  • Dailies Colorist: James Slattery
  • Director: Sam Mendes
  • Director of Photography: Roger Deakins
  • Editor: Lee Smith
Searchlight Pictures

Goodnight Mommy

  • Colorist: Tim Masick
  • Director: Matt Sobel
  • Director of Photography: Alexander Dynan
  • Editor: Maya Maffioli & Michael Taylor
Amazon Prime Video

Lou

  • Colorist: Tim Stipan
  • Finishing Editor: Jason Saulog

  • Dailies Colorist: Jaan Spirka
  • Company 3, Producer: Erik Rogers + Ricardo Ramirez
  • Director: Anna Foerster
  • Director of Photography: Lyle Vincent
  • Editor: Matt Evans + Paul Tothill
Netflix

Katrina Babies

  • Colorist: Jaime O’Bradovich
  • Company 3, Producer: Kate Albers
  • Director: Edward Buckles Jr.
  • Director of Photography: Edward Buckles Jr.
  • Editor: Luther Clement Lam + Fiona Otway
HBO Max

The Menu

  • Colorist: Tom Poole
  • Director: Mark Mylod
  • Director of Photography: Peter Deming
  • Editor: Chris Tellefsen
Searchlight Pictures

Do Revenge

  • Colorist: Tim Stipan
  • Finishing Editor: Jason Saloug
  • Dailies Colorist: Jason Saloug
  • Company 3, Producer: Tatianna Kroha
  • Director: Jennifer Kaytin Robinson
  • Director of Photography: Brian Burgoyne
  • Editor: Lori Ball
Netflix

Legacy: The True Story of the LA Lakers

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Dave Muscat
  • Finishing Editor: Eric Myles
  • Company 3, Producer: Gino Carletti
  • Director: Antoine Fuqua
  • Director of Photography: Maz Makhani
  • Editor: Jake Pushinsky
  • Video Embed Url: https://www.youtube.com/embed/TYQ0AHBd2Yw
Hulu

Moonage Daydream

  • Colorist: Tyler Roth
  • Finishing Editor: Jason Saulog
  • Company 3, Producer: Erik Rogers + Ricardo Ramirez
  • Director: Brett Morgen
  • Production Company: Neon Rated
  • Editor: Brett Morgen
Neon

Prey For The Devil

  • Colorist: Skip Kimball
  • Finishing Editor: Ray Ruotolo
  • Company 3, Producer: Hershel Cohen
  • Director: Daniel Stamm
  • Director of Photography: Denis Crossan
  • Editor: Tom Elkins
Lionsgate

Amsterdam

  • Colorist: Mitch Paulson
  • Finishing Editor: John Diesso
  • Dailies Colorist: Alexis Ross
  • Director: David O. Russell
  • Director of Photography: Emmanuel Lubezki
  • Editor: Jay Cassidy
20th Century Studios

The Woman King

  • Colorist: Walter Volpatto
  • Finishing Editor: Chris Doerr
  • Company 3, Producer: Loan Phan, Kelsea Williams, Emma Escamilla + Kristin Graham
  • Director: Gina Prince-Bythwood
  • Director of Photography: Polly Morgan
  • Editor: Terilyn A. Shropshire
Sony Pictures

Hocus Pocus 2

  • Colorist: Natasha Leonnet
  • Finishing Editor: Patrick Clancey
  • Dailies Colorist: Tim Hedden
  • Company 3, Producer: Loan Phan
  • Director: Anne Fletcher
  • Director of Photography: Elliot Davis
Walt Disney Studios

Bros

  • Colorist: Natasha Leonnet
  • Finishing Editor: Patrick Clancey
  • Director: Nicholas Stoller
  • Director of Photography: Brandon Trost
  • Editor: Daniel Gabbe
Universal Pictures

Blonde

  • Colorist: Jake White, Tom Poole + Andrew Geary
  • Finishing Editor: Gina Kalim + John Diesso
  • Dailies Colorist: Ben Estrada
  • Company 3, Producer: Mike Maida
  • Director: Andrew Dominik
  • Director of Photography: Chayse Irvin
  • Editor: Adam Robinson
Netflix

Hello, Goodbye, and Everything In Between

  • Supervising Colorist: Jill Bogdanowicz
  • Colorist: Parker Jarvie
  • Company 3, Producer: Ray Horta
  • Director: Michael Lewen
  • Director of Photography: Bryce Fortner, Andrew Gordon
  • Editor: Joe Landauer
  • Finishing: John Diesso
Netflix

The Gray Man

  • Colorist: Steve Scott
  • Finishing Editor: John Diesso
  • Dailies Colorist: Shane O'Connor
  • Director: Anthony Russo, Joe Russo
  • Director of Photography: Stephen F. Windon
  • Editor: Jeff Groth and Pietro Scalia
Netflix

Nope

  • Colorist: Greg Fisher
  • Finishing Editor: Jennifer Raymond
  • Director: Jordan Peele
  • Director of Photography: Hoyte Van Hoytema
  • Production Company: Monkey Paw Productions
  • Editor: Nicholas Monsour
Universal Pictures

Watcher

  • Colorist: Stephen Nakamura
  • Finishing Editor: Hunter Furnish

  • Director: Chloe Okuno
  • Director of Photography: Benjamin Kirk Nielsen
  • Editor: Michael Block
IFC Films

Prey

  • Colorist: Cody Baker
  • Finishing Editor: Jason Saulog
  • Dailies Colorist: David Koval
  • Company 3, Producer: Ray Horta
  • Director: Dan Trachtenberg
  • Director of Photography: Jeff Cutter
  • Editor: Claudia Castello, Angela M. Catanzaro
Hulu

Bullet Train

  • Colorist: Dave Hussey
  • Dailies Colorist: Matt Wallach
  • Director: David Leitch
  • Director of Photography: Jonathan Sela
  • Editor: Elísabet Ronaldsdóttir
  • Finishing: Matthew Johnson
Sony Pictures

Minions: The Rise Of Gru

  • Colorist: Jason Hanel
  • Director: Kyle Balda, Brad Ableson, Jonathan del Val
  • Editor: Claire Dodgson
  • Finishing: Patrick Clancey
Illumination / Universal Pictures

The Man From Toronto

  • Colorist: Stefan Sonnenfeld
  • Finishing Editor: Jason Saulog
  • Dailies Colorist: Evan Spicer
  • Director: Patrick Hughes
  • Director of Photography: Rob Hardy, ASC, BSC
  • Editor: Craig Alpert
Netflix

Pinocchio

  • Colorist: Jill Bogdanowicz
  • Finishing Editor: Matthew Johnson
  • Company 3, Producer: Erik Rogers
  • Director: Robert Zemeckis
  • Director of Photography: Don Burgess
  • Editor: Jesse Goldsmith
Disney+

Beast

  • Colorist: Stefan Sonnenfeld
  • Finishing Editor: Stuart Nippard
  • Director: Baltasar Kormákur
  • Director of Photography: Philippe Rousselot
  • Editor: Jay Rabinowitz
  • VFX: Framestore
Universal Pictures

Thor: Love and Thunder

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht, Adam Nazarenko, Alan Gordon + Andre Rivas
  • Finishing Editor: Paul Carlin, Chad Schermerhorn
  • Company 3, Producer: Laura Holeman
  • Director: Taika Watiti
  • Director of Photography: Barry Baz Idoine
  • Editor: Peter S Elliot, Tim Roche, Matthew Schmidt, Jennifer Vecchiarello
Marvel Studios

Wolf Hound

  • Colorist: Tyler Roth
  • Director: Michael B. Chait
  • Director of Photography: Westley Gathright
  • Production Company: TMU Pictures
Lionsgate

Where The Crawdads Sing

  • Colorist: Natasha Leonnet
  • Finishing Editor: Patrick Clancey
  • Dailies Colorist: Matt Wallach
  • Company 3, Producer: Loan Phan
  • Director: Olivia Newman
  • Director of Photography: Polly Morgan
  • Editor: Alan Edward Bell
Sony Pictures

Spiderhead

  • Colorist: Stefan Sonnenfeld
  • Finishing Editor: Paul Carlin
  • Director: Joseph Kosinski
  • Director of Photography: Claudio Miranda
  • Editor: Stephen Mirrione
Netflix

Jurassic World: Dominion

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie, Matt Osborne, Alan Louis Gordon
  • Finishing Editor: Joe Ken + Matthew Johnson
  • Dailies Colorist: James Slattery
  • Director: Colin Trevorrow
  • Director of Photography: John Schwartzman
  • Editor: Mark Sanger
Universal Pictures

Watcher

  • Colorist: Stephen Nakamura
  • Finishing Editor: Hunter Furnish
  • Director: Chloe Okuno
  • Director of Photography: Benjamin Kirk Nielsen
  • Editor: Michael Block
Focus Features

Top Gun: Maverick

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko
  • Finishing Editor: Joe Ken, Jim Eberle
  • Dailies Colorist: Richard Flores Jr.
  • Director: Joseph Kosinski
  • Director of Photography: Claudio Miranda
  • Editor: Eddie Hamilton, Chris Lebenzon
  • VFX: Method Studios
Paramount Pictures

Ambulance

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Tyler Roth
  • Dailies Colorist: Shane O'Connor
  • Director: Michael Bay
  • Director of Photography: Roberto De Angelis
  • Editor: Pietro Scalia, Calvin Wimmer, Doug Brandt
  • Finishing: Matthew Johnson
Universal Pictures

The Survivor

  • Colorist: Tom Poole
  • Additional Colorist: Jenny Montgomery
  • Dailies Colorist: Brian Wilkowski
  • Director: Barry Levinson
  • Director of Photography: George Steel
  • Editor: Douglas Crise
  • Finishing: John Diesso
HBO

Return To Space

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Andrew Geary
  • Director: Jimmy Chin, Chai Vasarhelyi
  • Director of Photography: Kevin Garrison, Shana Hagan
  • Editor: Daniel Koehler
  • Finishing: Gina Kalim
Netflix

Sonic The Hedgehog 2

  • Colorist: Stephen Nakamura
  • Finishing Editor: Joe Ken
  • Director: Jeff Fowler
  • Director of Photography: Brandon Trost
  • Editor: Jim May, ACE
Paramount Pictures

The Adam Project

  • Colorist: Skip Kimball
  • Dailies Colorist: Matt Wells
  • Director: Shawn Levy
  • Director of Photography: Tobias A. Schliessler
  • Editor: Jonathan Corn, Dean Zimmerman
  • Finishing: Ray Ruotolo
Netflix

Morbius

  • Colorist: Stephen Nakamura
  • Director: Daniel Espinosa
  • Director of Photography: Oliver Wood
  • Editor: Pietro Scalia
  • Finishing: Matthew Johnson
Sony Pictures

Phoenix Rising

  • Colorist: Andrew Geary
  • Director: Amy Berg
  • Director of Photography: Jenna Rosher, Curren Sheldon
  • Editor: Miranda Yousef, Veronica Pinkham 
  • Finishing: Pat Kelleher
HBO

Dog

  • Colorist: Stephen Nakamura
  • Finishing Editor: Joe Ken
  • Director: Reid Carolin + Channing Tatum
  • Director of Photography: Newton Thomas Sigel
  • Editor: Leslie Jones
Metro-Goldwyn-Mayer

Downton Abbey: A New Era

  • Colorist: Gareth Spensley
  • Additional Colorist: Chris Francis
  • Director: Simon Curtis
  • Director of Photography: Andrew Dunn
  • Editor: Adam Recht
  • Finishing: Stuart Nippard
Focus Features

Windfall

  • Colorist: Matt Wallach
  • Director: Charlie McDowell
  • Director of Photography: Isiah Donté Lee
  • Editorial: David Marks
  • Client: Netflix
Netflix

The Road Dance

  • Colorist: Joseph Bicknell
  • Finishing Editor: Gina Kalim
  • Company 3, Producer: Julia Ward
  • Company 3 Production: Michael Maida
  • Director: Richie Adams
  • Director of Photography: Petra Korner
  • Editor: Matt Mayer
  • Video Embed Url: https://www.youtube.com/embed/beHMj0O_wSY
Parkland Entertainment

Doctor Strange In The Multiverse Of Madness

  • Colorist: Stephen Nakamura
  • Additional Colorist: Adam Nazarenko, Jared Pecht, Alan Gordon
  • Director: Sam Raimi
  • Director of Photography: John Mathieson
  • Editor: Bob Murawski
  • VFX: Framestore
  • Finishing: Paul Carlin, Chad Schermerhorn
Marvel Studios

Father Stu

  • Colorist: Stefan Sonnenfeld
  • Director: Rosalind Ross
  • Director of Photography: Jacques Jouffret
  • Editorial: Jeffrey M. Werner
Sony Pictures

Uncharted

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Director: Ruben Fleischer
  • Director of Photography: Chung-hoon Chung
  • Editorial: Chris Lebenzon
Sony Pictures

Scream V

  • Colorist: Skip Kimball
  • Director: Matt Bettinelli-Olpin, Tyler Gillet
  • Director of Photography: Brett Jutkiewicz
  • Editor: Michel Aller
  • Finishing: Ray Ruotolo
Paramount Pictures

Moonfall

  • Colorist: Walter Volpatto
  • Director: Roland Emmerich
  • Director of Photography: Robby Baumgartner
  • Editor: Ryan Stevens Harris, Adam Wolfe
  • VFX: Framestore
  • Finishing: Chris Doerr
Lionsgate

The Lost City

  • Colorist: Dave Hussey
  • Director: Aaron Nee, Adam Nee
  • Director of Photography: Jonathan Sela
  • Editorial: Craig Alpert
Paramount Pictures